近年の作品は、主に海外の古書や古材、そして鉄などを用いたコラージュ表現へと展開している。役目を終え、朽ちていく生活の断片に、動物や人間を含む生きものたちの姿を描き、異なる時間の層を重ね合わせながら作品を立ち上げていく。そこに通底するテーマは生と死。躍動的なライブペイントとは対照的に、静けさの中で時間や記憶、存在の痕跡を見つめる静的表現を探求している。

 

In recent years, his work has increasingly developed into collage-based expression using old books and reclaimed wood sourced mainly from abroad. Onto fragments of everyday materials that have outlived their original roles and begun to decay, he paints living beings, including animals and human figures, layering different temporalities within a single work. The underlying theme is life and death. In contrast to the dynamism of his live painting, this body of work explores a quieter, more still mode of expression that contemplates time, memory, and the traces of existence.